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Kaworu is 'born from Adam', and describes Adam as being the 'Mother of us all'. Kaworu is observed using it for levitation, to control Unit-02, as a massive barrier that prevents the Command Center from receiving wave transmissions, and, (evidently) to bypass the LCL Plant's locking mechanism.īy being both the First Angel (Adam, whose body and soul were separated in Second Impact) and the Seventeenth and final Angel, he is in effect both the first and the last of his kind.

Field is described by the Magi as the strongest yet encountered (until it is surpassed by Rei's). Kaworu's human body is a vessel for the salvaged soul of Adam itself, and wields all of the power that comes with it. Tabris is the only Angel to infiltrate Terminal Dogma. Although his body is presumably composed of the same ' particle-wave matter' as Rei and the Angels, it is impossible to say if he possesses a core and S² Engine. He wears a white shirt and high waisted trousers, like Shinji. Also unlike the other Angels, Kaworu wears human clothes. Unlike the Angels who came before him, but like Rei, Kaworu has a Lilin body, with no visible physical difference from a regular human except for very pale skin, light grey hair and red irises.

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He is considered the Angel of free will, which is considered a gift of God Although Kaworu was sent by SEELE for a specific purpose, he also has his own agenda. As revealed in Newtype publications such as ADAM and used by Keel Lorenz in the Manga. As the vessel for Adam's soul, Kaworu's designation is ' Tabris' (Arabic: تبريس). However, he does show a detachment from human protocols and shares Rei's tendency to speak in universal rather than personal terms. Kaworu appears comfortable in his identity (far more than Rei), and also warmer and more emotionally open. The moment Kaworu opens the doors to Terminal Dogma is in synch with the line 'Und der Cherub steht vor Gott'- 'And the Cherub (Angel) stands before God'. The Ninth Symphony itself incorporates an adaptation Friedrich Schiller's Ode to Joy ( Ode an die Freude), a poem dedicated to the unity of all men under God. Kaworu appears humming the fourth movement of Beethoven's Ninth Symphony, the same music that plays during his descent into Terminal Dogma, and so serves as a leitmotif for his character. Despite his human form, Kaworu does not seem to consider himself to be human, referring to humans as 'the Lilin' in differentiation from himself. Although classified as an Angel, Kaworu is similar to Rei Ayanami in being a Seed of Life that inhabits a human body. Kaworu (渚カヲル) is both the 17th Angel and the Fifth Child. 4.6 Neon Genesis Evangelion: Gakuen Datenroku.

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